the diary of a teenage girl phoebe gloeckner

alison takes up a kind of space in the work that is not defensive, that is expansive, that opens windows so that lots of people can see themselves through this specifically lesbian story. there's often those moments when you see sort of layers of time or layers of generation all in one frame and so you get this sense that something is beinghanded to you in this kind of digestible

nugget but also invited to kind of go quiteliterally deep into each individual frame. she managed to to examine her life, i think intellectually and her intellect gave voice to her heart in a sense. it's very powerful.

the diary of a teenage girl movie

a lot of things happened today. it ended with getting a demolition noticefor the house that i'm renting. oh well, life. don't pick your nose in front of thecustomer, they might lose their appetite. got my back turned, auntie. eya, o. miss! yes, sir? miss, what time is it?

it's time... miss? it's time for you to love me. what? get him off here. he's just been relaxingsince he got here. he's taking advantage of our restaurant. we don't have aircon. not even wifi.

just make him leave. my apologies, sir... - what do you want to order?- can i order... you? take out? miss, sorry. i think my date'snot coming anymore. so maybe next time. thank you. hey. are you okay?

do you want to have ice cream? what flavor? hold it. i don't even know you. what do you think of me?someone you can just drag along? who's that girl who stood you up? well, i've been courting her for 1 year. but she hasn't answered me yet. wow some perseverance. and you're still expecting.

you? me? what's your story? i'm a royalty from england. direct descendant of queen elizabeth. joke. i became an orphan when i was 14. my parents died in an accident. when i was 18,right after i blew my birthday candle,

my aunt kicked me out of the house. why? co'z i'm no longer a kid. that's sad. what if we end up together? joke iang. chill! what's this? pepper spray! okay now.thanks for the ice cream. bye.

sure, you're welcome, peppy. peppy? pepper spray. you didn't get it? bye, peppy- is "crush" here already? i don't think so. who's that? must be the new scholar girl. doesn't seem she can afford this school.

how annoying. they're just fair-skinned.they're not pretty. miss, miss. it's just an accident. i'll take you to the clinic. i'm okay. are you sure? sure. miss, i'm okay. thank you. my brain was just shaken a bit.

here. okay, bye! ugly and clumsy. double whammy. what? can you still do it? that's howl climb up the stairs. ba-bye! excuse me, can i ask something? 3,500 a month.1 month advance, 1 month deposit.

5,000 meralco deposit. 2,500 for water,1,500 for smoke detector. 1,000 for the key. shared bathroom.there'll be 4 of you in a room. you can't bring a boyfriend.and you can't have a dog here. what? are you taking it? no. i got a boyfriend. really? boss, please.give me any kind of job... except the one,which i have to sell my body.

i'm desperate. it shows. wow, that hurts. you can't work there if you're sensitive. i'm not sensitive. just my skin. please. okay. get an nbi,barangay and police clearance. thanks, brother. whether it's a vertical clearance.or even clearance sale.

- thank you. thank you.- okay, okay. wow, looks like h! fitperfectly in this mansion. i can feel h. my life will change here. miss, rodriguez? yes? mr. sandford's waiting for you. okay. i hope you'd stay long.

20 have already resigned before you. my son is a difficult person. you will have to beresponsible for all his needs. make sure he goes to his class. that's easy. not really. my son is human. but also, he is half monster. like werewolf.

monster in a big vase. zuma. i don't like it. 25,000 basic salary. with benefits includingboard and lodging. i'm ready. i already broughtmy things with me. where will i... it's noisy and unruly... hun-y!

cross. what now, you old toothless fart? you don't have to be rude. right. what's your problem? first, your dad is not a fart. second, he's not toothless. third, your dad is so gorgeous. don't be rude to your father.

who's this? whoever... no whatever you are... get out! i don't want to see you pokingthat face when i get back. see what i mean? yes. he's mean but i'm not a quitter. - don't wait for cross.- oh, ma'am! ma'am, i'm sorry.

but you startled me. it's okay. i'll just wait for cross.this is part of my job, anyway. go get some rest. this is mine. you're still here. - this is mine. give it to me.- this is mine. this is my water. - give it to me.- it's mine. it's mine.

hey take it slow. take it slowly. if you break anything,i'd be responsible for it. oh no. let's go there. fix yourself. where are we? your room. slowly.

wait. change your clothes.your shirt stinks. turn around. no peeking. i'm not interested. hurry. you're really rude... hey, get your clothes on! hey! you want to get drunkyet you can't handle it.

hey, get your hands off me! admit it. you got a crush on me. hey thick-skinned!don't be so full of it. let me go. you're so pretty. you're rude. hey, don't sleep yet.change your clothes. i love you. what? i love you?

"i love you" in your face. that shameless! he threw up on melike a toilet bowl. shameless. hey, missyou on the grass... and the plants. sorry. hi, i'm lory. you are? eya. boy problem.

exchange student? no. i've beenstudying here since kinder. you're good in tagalog. my parents are british,but i grew up here. and yes i'm loyal to willford academyco'z my crush is here. i'm a scholar here. do you know cross sandford? yes. i do have class.

sorry, i've got to go. bye. nice to meet you. okay. eye- oh my god. he's coming. there he goes. the prince is so near. no way. he's looking at me. rodriguez! kidding! he knows her?

ambitious frog! kokak! buy these. i need it for tomorrow. make sure these are complete or else. manila paper, pentel pen... ma'am a total of 3,893.50. can you have these reserved for me? ma'am sorry but i've punched it already.

my supervisor is on break.no one will make these items void. that dumb. did you just call me dumb? guard! - no, miss. no.- miss? please include mine. sir, a total of 4,043.50. excuse me... are you stalking me?

no! what are you? why are you always saving me? flelax, peppy- thank you, sir. thank you, ma'am. need help with that? actually, can i borrow some cash for cab? i'll pay it. no need.

when i need to ask you a favor next time,you're gonna help me, okay? just tell me when. okay. see you. you've asked me to buy a lot of thingsbut you didn't give me any money. why didn't you ask? i thought you havecash funds from my dad. you may leave. you're 50 pesos short. why do you know cross sandford?

why do you know chad jimenez? why can't i be friendly? you're not supposed to have any friends. you have little friends on your face. and you deserve them. i bet she's got them all over her body. stop! stop! you little chicken poxes, let go of her. who are you calling chicken poxes?

yeah, is that i? no, not you. you are beautiful. but you, you and you,leave her alone or die. what did they do to you? they're bullying you because of cross? are you dating him? of course not. why? you like him? since kinder.

ouch, lasting love. can i just help you with something else? come on. just for her size. - come on.- let's go. that's ok. now for the shoes. let's see if h goes nice with the dress. it's high. can i take it off now? miss, i'll get this one.

is it nice? that's 250,000? isn't nice enough? i hope she likes it. is she pretty? she's like you. so she's ugly, too. peppy, she's pretty. you know, don't belittle yourself.

you're so beautiful. so try it on. oh perfect. hey, peppy. go to the party, alright? i'm not invited. that's why i'm inviting you, right? we'll see. what was that? don't tell me...

may i go out? yes, you may. what's that smell? he's calling you. what do you need? you know, for a maid you're rude. co'z you're my idol. what can i do for you, your highness? you know, for a human being, you're rude.

come with me to the party. and tomorrow we're going somewhere. how many layouts? just 4. where's stand-by area. this way. okay good. stay here. hey, don't just look dumb there.

are you gonna turn it offor i'll kill you? give me your cellphone. give it to me. didn't i tell you,no cellphones during my shoot? no, no, no! stand up. out. hey, it's not gonna ring anymore. can we just finish the shoot? get back.

sit down there. sit down. hurry. go, go, go. back to work, guys. back to work. change set-up. change set-up. wrong. okay good. okay. there, relax. okay. nice. turn here for profile. sorry about what happened, monster...i mean master. thank you, too.

in your face. it's your fault. i just don't want some drama. i didn't know thatcellphone's not allowed. after you fix my things,you can take a time off. here you go. that's delicious. go. indeed, delicious. yummy.

thank you for inviting me. of course. you know what, eya? i really, really like you. are you a lesbian? i like you as a friend.as a friend. relax with the fork. you know, you're notpretentious like others. you made me nervous with that one.

so are we bffs now? on saturday, you should be there. my birthday, infinity palace. okay? are my pimples having sexthat's why they're multiplying? this one's gonna explode soon. taal, mayon, pinatubo... - oh there's a twin.- hey, are you scaring me? i'm resting here you know.get out of here.

is cross there? he's still inside. excuse me? what did you say? don't you ever dare speak his name. hey tomatoes! don't you call me tomato. you! how dare you slap me!

don't! stop m - cross!- what's the problem? help me. she's bullying us. bullying? you slapped me. girls, listen up. i would like you allto meet my girlfriend, so please be nice to her. and leave her alone, okay? come here.

what are you saying? i intentionally said thatto make them angrier on you. so you and your pimpleswill be miserable. are you crazy? are you stupid? have you been taking drugs? are you a drug addict? oh my gosh! here she comes. it's so not true.

witchcraft is the only explanation. witchcraft is the only explanation... or blackmail... that is so true. eya, we need to talk. friend, thank goodness you came. is it true? you could've just told methat cross is your boyfriend. hey, that's not true. then why are you guys always together?

this is just a secret. don't tell anyone. i'm cross' personal maid. “mex! i'm envious. what are you? try to be that monsterslash devil's personal maid. is he that bad? peppy, i've been looking for you.

let's talk. i can't take this anymore. even kuya kim couldn't explain this. she's cross' girlfriend andtwo-time cheating with chad. what a nightmare! peppy, you should knowsomething about me. what is it? oh my god, is this real? i want to believe i'm beautiful.

peppy, i can't hold this anymore. i need to quench my thirst. i'm a vampire. you're so annoying. hey, best friend, don't be irritated. what do you mean best friend?are we close? best friend,it's lory's birthday tomorrow. i need you with my plan, please. what is your dark planfor my best friend?

best friend, relax. here's my plan. when the lights turn off at 12 midnight, i'll get lory's hand. and i'll take her to the garden. and there i'll give her the ring. then i'll ask her to be my girlfriend. that's sweet, right? you've already iron out your plan,you don't have to get me involved.

this is where you come in. make sure you'll give this to lory. and make her wear it. co'z it has a tracker inside.that way i can tell that it's her. you're giving yourself a hard time. why don't you just proposein the middle of the party? of course it's moredramatic when it's dark. then, i'll grab herlike there's a kidnap scene. sweet.

thanks, peppy- guess, what? i love you! - thank you!- chad! thank you, thank you. you're so kind. you stink. to infinity and beyond! eya! be thankful i've taken you here.

hello, i'm invited, too. - hey, what's up?- hey bro. you got a date. what? no! she's my personal maid. i'm ian and you're eya. sorry about my best friend.he seemed to be mad at the world. i'm used to him. is he really like that since birth?

i think it started when his mom died. he really made his momthe reason behind this. i'm an orphan. nothing. party! party! party! bro, let's go. can i get a lot? now that's gluttony.

o chad. o by the way, you take care of it. did you see lory. sorry, no. lory? lory! joke, sorry. lory! lory, somebody wantsto give this to you. listen well.

let me finish first before you speak. i know that you alreadylove somebody else. but believe me, he's not worth it. i love you very much. give me a chance to love you. be my girlfriend. dude, are you 95v? chad? cross?

this is so embarrassing. chad! you ruined everything. that's enough. that's enough. hey, eya, whom are you talking with? no one auntie. crazy. auntie, i was just dreaming.

hey, how many times did i tell you thatyou should stop creating those fantasies. you should keep your feet on the reality. even if i'm dreaming, auntie,your role is to wake me up. eya, you're already an orphan. you should know how to deal with life. where will you go when i'm already gone? why, auntie? where are you going? oh, nowhere. you know dogs are mad at cats.

cat? do i look like a cat? wh? did you go here? i waited for you co'z i knowyou're on your way home. here's for you. use that, okay? it's just something. i bet, cross has been insulting you. you know, the first time i saw you,i knew you have a good personality. you went all the way hereto give me a tribute. ian...

he's like a drug addict. i'm so... can we do that next time? are you blind? i just saw a ghost. wait, ghost? yes. ghost mn'! ' who's mary?

mary, the one who appearsat the student council room. it was said that she was raped. white lady. are you kidding me? kidding? if you want, we can look for her. later. go to student council room. i got a meeting there.

you're the one who has a meetingyet you're asking me to get there. maybe you're scared. i want you to go there co'z i wantmy personal maid to be there. if you won't show up,i'll get my hands on you. yo, guys, sit down. hi, cross. hi, bro. and now we can start. hi, guys.

as you all know, we havea school fair coming up soon. we need ideas now. bye! bye. 5y9, guys. bye, thank you. cross, i'll go ahead. you still need to fill out the forms. i'll just do that at home.

you won't need it tomorrow, right? no, let's finish it. it's my parent's anniversary.we've got family dinner. why? are you scared to be alone? no. why would i be scared? okay, i'll be the one to do itthen i'll email it to you. that's okay. i'll kill that pimples. the subscriber cannot be reached.

please try again later. who are you? go away. mommy! eya, where are you? these kids don'! knowhow to lock the door. hey, wake up. did you see mary? the white lady.

that's not true. i just made that up. no, i saw her. that's just me. the one i saw doesn't have pimples. you know, for a monster, you're a coward. admit it. you're scared. shut up. you're fired. your dad's the one who's paying me. so,your dad is the only one who can fire me.

let's go. it's locked. why did you lock it? i didn't. call the school guard. i don't have a load. that's incredible. co'z you're a beggar. poorest of the poor.

and 119w- why don't you make the phone call. i got no charge. i didn't bring my charger. gorgeous rich kid with a postpaid line. no charger. amazing. is that you? get off there. that's my place. move.

get your own place. get off there. she can't be reachednow that she's needed. wait 'til i get my hands on her. let's sleep. no. just talk to me first. what are we gonna talk about? tell me something about you. what do you want to know?

why are you ugly? where are you hiding your horn and tail? why are you poor'? co'z i don't have parents. where are your parents? they died in an accident when i was 14. you? where's your mom? she died in a plane crash when i was 5. that's why you're like that.

what am i? nothing. like that. you're lucky you still have a dad. go to sleep. okay, sleep then. hey, what are you doing here? go home. don? you have classes? fm gonna tell them about this.

here, it's done. can i sleep now? make a sign. i wanted to say, welcome to willford academy. you're rich, why don't you justprint it on a tarpaulin? jack? i didn't know you like to watch that. robert?

i won't then. don't switch it. i'm not paying you to watch tv. i'll do the sign outside. dark night, terror comes out... hey cut it out! lady in white... - sorrowful...- stop it.

cut it out. clothes with blood... just shut up. i'm not listening. mary... o mary! shut up! mary! shut up. i said shut up. what? i'm just whispering in the air.

who are you whispering with? her! mary! where? coward. sleep here. you're not leaving this roomuntil your finish it. he looks better when he's sleeping. even if he's bad. chad loves lory.

lory loves cross. but if cross loves lory. he wouldn't let chad court her. who's cross' love? maybe just himself. he left early. my boss has a good heart. damn. he playedconnect the dots on my face! he must've used indelible ink.

i see the star. i see the moon. i know who owns that. coach, can i take a break? okay 30 minutes. we need to talk. please forgive me. are you gonnakill me? have mercy on me. peppy! peppy, relax. i'm not mad. you're mad. you said,"you ruined everything." peppy, i know youdidn't like what happened.

but let's just forget it. peace? smells like chad. he's so nice. he let me borrow his shirt. when you're done hugging yourself,go see your boss. okay. yes. uqw, is that you? this is me, monster. monster!

only monsters like you arecapable of drawing on my face. sorry. so it's your face. i thought connect the dots. i'll kill you, you monster! get off me. wait, why are you hot? did you just come in from sauna? forget it. just leave. your fever is high.

stay there. i'll get a medicine. stay there. if you have a plan of poisoning cross,i'll understand. but have fear in god. i don't want to go to hell.i might see him there. it might contain poison. it doesn't have poison. come on. you're sweating. take off your clothes. go change.

i don't like. you might rape me. take care of yourself. you're big enough. what do you want, cookie monster? i can't sleep. turn off the aircon. what else? water. we'll take you to the hospital. i'd rather die than go to the hospital.

what do you want? go straight to the morgue? okay, wake up the driver. i'll go to the hospital. don't come. we'll just go. eya, i know you have classes tomorrow.but can you make an absence? cross needs to beaccompanied in the hospital. he doesn't want me to come. don't take whateverhe says on face value.

my son has a lot of differences. why is that? he wants to show everyonethat he doesn't need anyone. but he keeps on asking meto do a lot of things for him. you know, my son has a lot of hang-ups. what are you doing here? i told you so. i've talked to your doctor. you have an intestinal flu.

let's wait for the attending physician.let her tell us that. if you need anything, call me. hey, bro, how are you? hey! what took you guys so long? hi! dude, what's up? what's up 9 dude.

it's good that you visited me here. what do you want? coffee, juice? no, no. h! go get h. i'll buy it downstairs. - no, eya's here.- i'll do it. okay, can you get me a juice? how many fraps? frap? juice for you?

i'll go with you? that's it. okay. i might not beable to carry all of it. come with me eya. you take care of cross. okay- ian, why did you give methose skin care products? i want you have smooth skin. are you a dermatologist?

or you're practicing on me. nothing. i just wantyour skin to be smooth. so you'd be pretty. wow you're nice. just like a fairy godmother. so cross would notice you. co'z you two match. you're crazier than your friend. it's like this.

cross is my friend. i know him better. he's kind. he just doesn't want to show it. no. leave the lights on. heyâ» ugly. are you still up? sleeping- ugly, come here. sleep beside me.

ugly! i don't like.you can't even say "please". e ya. - move. i want to sleep now.- hold it. come on. i'll just check your iv. ouch. you didn't do it gently.you knew it's tight. you just forced me.

hi, miss. i want you to know thatthis is a hospital not a motel. ma... mommy. don't leave me. - he's cute when he's playing coward.- don't... even a monster has a heart. sleep now. i'm just here.

chad! come on. lory and i will have lunch.come with us. - no.- let's go. she's avoiding me. that's why i'm taking you with meso you could talk to her. calm down. lory, i took chad with me.we'll have lunch with him. oh dear. i forgot. i still have something to do.sorry.

eya, we're going somewhere later. surprise. better go. go after her. next time, peppy, let me do the strategy. i'll just wait for you outside. no, come. it's my beautytreatment day today. i don't have beauty to be treated. come on now, don't be silly.

good afternoon, miss lory.the usual? yes but it's gonna be the two of us. wow! i didn't know that asidefrom sss and pag-ibig benefits... your maid is entitledfor a salon treatment. she's not my maid. she's my best friend. i'm sorry. miss julie, can you please attendto miss lory and her best friend. this way, ma'am.

i'm pretty. like us? wow. - 12,000.- lory, how much is it? don't worry, this one's on me. and that is because you look gorgeous. they have to see you like thatin the legendary ball of willford. what's that? it's a masquerade ball.

we're gonna wear a mask, then whydo we have to make ourselves beautiful. we have to make ourselves pretty co'zthere's gonna be a rigodon of dances. and at 12 midnight,whoever you're dancing with, he'll be your special someone. that's corny. it's not if i'll be with cross. i'll do what i can to be close to him. i don't know what's in himthat you like him a lot. cross is my classmate since elementary.

and because i was a transferee, i always get bullied. and cross was there.he was my knight in shining armor. he always stood up for me. this monster has a secret kindness. are you sure it's cross? maybe that's someone whohas the same name as his. hey, chad. this is me eya. peppy-

i know. wow. i mean i need you. come with me. where are we going? just somewhere. hi, chad. don't you think eya's so gorgeous? what? eya? no, that's just hot oil. admit it. you had a plastic surgery.

admit it. you had a brain surgery. let's go gorgeous. nice one. you're good at baking. sorry. the cupcakesturned out just enough. i won't be able to make you taste it. it's okay. i'm full already just by smelling it. hey, peppy. please give this to lory.

you're so sweet. lory's lucky with you. but the guy who will love you is luckier. who are you? what are you doing here? why are you opening the ref. are you a thief? thief! 'day. don't be oa. if i were a thief, i'd go straightto the rooms not in the kitchen.

manang! manang look at eya! eya? what did you do? did you see a witch doctor? hello. that's just soap and water. where can i get that soap and water? yes. where can we buythat soap and water... it would be betterfor you to go upstairs... because your boss isthrowing tantrums again.

manang, i'll just putthese cupcakes here. can i have some? no, you can't. even i haven't tasted it. get me soap and water immediately. what can i do for you? why are you late, ugly? in fairness with you, you'rethe only one who didn't notice. clean all of these. now.

what will i do with these papers?i'll gather or throw it? throw. then throw. okay, you're pretty. you look good. ugly, i'm hungry'- no! i bit it already. why did you touch that?

it's in my ref. and my house. so unless told otherwise, what's in there are all mine. i just place it there temporarily. sorry. finders keepers. losers suck. it tastes good. that's mine. - let go.- let it go! let it go.

look what you did. then just buy again. buy? those are special. those are made for a special person.you can't buy it. what do you want me to do? nothing. get out of my way. you're gonna kill me because of cupcakes? come here! eya! don't.

what is that? stop it. eya, stop it. what is your problem? why did you eat my cupcakes? i'll kill you. stop! you're going to hurt yourself. right. good evening, sir.

eya, you look different. i didn't know it's you. you look good. sir, i'm sorry. i can't take your son anymore. before he's justhalf human, half monster. now he's a 100% monster. i can't promise that i can take him nextbut thanks for the compliment. cross, come to my office. cross!

crazy! good for you. what happened? it's not important. i will let you leave if you tell me. it's just the stupid cupcakes. for you those are just stupid cupcakes. you know, not everyone are born like you. you have everything.

that's why sometimesyou don't put value... in simple things thatare priceless to others. i know what you mean. do you? these are special memorieswith your mother. look, they're priceless. but they're very special. now tell me, what will you doif someone tear it apart?

i hope you apologize to her. no poison, come on. out! out! hey, it's not gonna ring again. okay. get back! hurry. go, go! - mary... 0 mary!- shut up. i said shut up! who are you whispering with?

her. mary! where? move. wait. - move. i want to sleep now.- wait. arlene is on number 3. you on 7. good evenin, sir. i'll get your order. yes. one order of eya.

extra ugly. you're working here? what a coincidence... will you please leave? just so you can annoy someone, huh. go with him. i don? like. he gave me 5 thou. do you want me to give yousome portion of it.

what am i auntie? a ghq? do i have a cut on drinks? no. this is decent. he asked me permission.i gave him one. o? what do you want to happen? nothing. let's just eat. don't you like it? i do like. okay, i'll feed you.

plastic. i don't like. hey, i'm trying to be nice. for once. say ah... what the...? water! did you take drugs? i'm at peace here.and then you came to ruin it. come with me.

i resigned already. what did you say? what? can you be more sincere? eya, i'm sorry. come on. i'm gonna late. let's go. damn it. i left my planner in the room. what do you want? you'll goon your own or i'll come with you? i'll go alone.you might lock the door again.

feeling. keep quiet. boss, let's seal her mouth with a tape. brod, we don't have duct tape. i left it in the condo. hey pesky people who likes to pose. just shut her up. i don't know how you becamecross' girlfriend, ugly loud mouth. wow. you speak english.yet you left your duct tape.

and please can you take off your mask.i know who you are. i'm not cross' girlfriend. so please let me goand let's all forget this... - sit!- ouch! that hurts. this is not a joke. we kidnapped youto get even with cross. our girlfriends leftthe two of us because of him. if cross comes over here for you, we'll beat him 'til he gets ugly,and no one will like him anymore.

and i'll be the school's heartthrob. what? really? don't deny it. you've beenunder surveillance for a long time. we've asked someone tofollow you 'til you get to his house. - because... ouch!- hello! cross. - you don't know me but we have...- i don't know you... i don't talk to strangers. he put it down. i'm his personal maid that's whywe're always together.

so please? stop this drama. shut up! shut up!i can't think in here. - wait i'm thinking.- e ya! meow! eya? - what's that?- meow... they'll think that thereare cats here not persons. meow... meow...

to your back, chad! hurry! it's chad! let's take pictures. idol. easy. jump shot. one, two, three... okay. fist bump! hey, chad. i might take all your...

you can come oui how. i'm presentable. you know, you are so... sorry. my abs might have startled you. sir snacks. thank you, manang. here, have some snacks. i baked this. really? did you bake this?

it's for lory. but she told me to stopchasing her already. she wouldn't like me. it's cross that she really likes. what's wrong with me? you're gorgeous. good soccer player. great baker. friendly, kind. if i were lory, i'd choose you.

i even got a big crush on you. so what's your plan? don't be sad. that's the way it goes.we can't always get what we want. h feels good to have an illusion. but you'll get tired eventuallywith all the fantasies. sometimes you haveto wake up with reality. chad is so cute. if we weren't having thisplatonic relationship, i'd court him.

he's crying? what's this ? e verytime i havea bed scene with boys, it's either they threw upon me or they're crying. yes, best friend? i'm gonna tell you something. but don't get mad or irritated, okay? can you please sit properlyco'z i can see your panty. i'll just wear my skirt. sorry. this is my house.

i can do what i want. don't touch me. let me go! i always wanted to do this. - no!- let her go! you can't kiss her. chad, you're my hero! because you should be kissing me. hold her fight.

man-mg, when are you doing'? whoever you are, leave eya's body. leave! manang, i was just dreaming.this is not exorcist, manang. that's what they always say. don't, manang. no! oh no, when cross is being nice,you can be in... i don? know. ma, pa, do you know...

your daughter is flirting. i've met a few friends in willford. lory, then chad... he's my crush but i got to forget itco'z i know i don't stand a chance. cross is like a monster. he's annoying and cruel. a snob. his good side is that heknows now how to say sorry. he's weird when he's scared of the ghost.

really? - it's raining. come on.- jesus. let's go! my bag! - come on.- let's go. let's go. here. - here. where are you going?- here. the rain ruined my moment. because you're ugly. where's your car?

i asked the driver for an errand. what is that? then call him. i left my charger in the car. your cellphone? i don't have load. you're getting a big salaryyet you're still poor. i'm visiting my mom's grave. does her remains lie in here, too? are you crying?

that's rain. you're crying. look. yes. i feel sad. i miss my mom. when she died, i cried a lot. that's why i'm so destructive. that's why i feel so angry. maybe that's why i'm punishingeveryone because i'm miserable. i want everyone to be like me.

true. what's that? what are you doing? so you'd feel warm. that's wet too. so you'd be a bit warm. there. body heat. i don't like. come here. come here.

you might get sick. dad would have to spend money for you. don't act up. you're not pretty. ifs okay 10 be ugly if pdbe hugging someone like him. h makes me feel pretty big time. you look pretty. are you looking for cross? what? no.

you, too. you don't want to admit it. really. he's in the stock room. with miss uk. lory? why'd you know that? lory asked for my helpso they'd be close. so there, i locked them up. are you jealous? no. i even want to help lory.

let's go check them out. slow down. listen. cross, i love you. sorry but i'm already in a relationship. with whom? with eya. no. no. no. eya told me it was a joke.

she told me the truth. she told me that you just said thatso the girls would get mad at her. no. it's really true. i already love her. i always want to see her. stop. even in my dreams. wait, i'll open this. i don? believe you.

- hurry.- ouch. i'll take care of her. why did you tell her that? i can't think of any wayso she'd stop chasing me. hey, don't react like you'rethe one who's embarrassed. don't you really like her? you're stubborn. weren't you the one whowant to push her with chad. i thought you're the lorhad villain.

lorhad. lory, chad. lorhad. whatever. i'm tired. hello, i'm busy. go to the wedding booth. now. okay, wait.i'll just frighten one more. wait. hello. do you want to haveyour team lorhad succeed? jesus! you're good even without costume.you're still scary.

you asked me to go herejust to be insulted at. you wanna make this convincing? let's get married. i can? understand what he wants. but ifs okay. in the name of love. forced? me? no. before we get married, fix your face.

choosy. do you, cross sandford, take rea rodriguezas your lawfully wedded wife? i do. you may now kiss the bride. hey you, don't take advantage. you should take advantage. for sure lory's out there.looking. she'll catch you. for the sake of art andin the name of love. more.

you can use me as your tissue right now. feel free to blow your noseor wipe your tears on me. i don't care if you throw methe trash when you're done. as long as i'm useful to you, lory. just let me wipe your tears. i saw cross and eya kiss. chad, they're a couple. that hurts. lory, trust me when i tell you,i know how it feels. i really do.

just go away. - you can't do anything to help me.- lory... it's okay. i'm here, lory. lory, it's okay. i'm here for you, lory. it's okay. you're crying harder than lory, huh. oh ma'am sorry, you can't.there's a line... you're all oa. party poop“-

eya. eya, are you in-love with cross? why are you asking? answer me first. are you in-love with cross? yes, lory. i love cross. i'm hurt, eya. i felt bad with what i sawin the marriage booth. but you know what?

it made me realize one thing. that i look stupid. i'm waiting for someonewho will never ever like me. then i saw chad. chad's there for me. cares for me. do you think i should give chad a chance? you know, the two of youlook good together, promise. i'll give chad a chance.

as long as you promiseto take care of cross for me. why is there a lot of oas here? good luck to us. thank you, best friend. let's go? hi! i'm going crazy. i think i should describethis feeling as love. i've never felt this way before. can you really fall forsomeone you love to hate?

i don't know. i'm not sure about myself anymore. for once i wanna be honest. do the right thing. there's something i have to tell you. l... i like you. what if you smell him? then lookfor the one who smells like him. you're gross.

well, i hope this helps. we'll go look find him. how many matched? 4 shoes. not one for the voice. then choose. the voice of whomi talked with last night is different. are we done, sis? why do we have that? hello?

hello, e ya. this is adrian. hi! how did you know me? i've actually been stalking youever since the start of the sem... i know i goi chicken outbut i found the strength... to actually expressmy feelings to you at the ball... co'z i have the mask. i like you. it's you. fm afraid you might not like me.

can i meet you after class. alright. yes, hello. hello, e ya. where are you? ah adrian, hold on. - wait.- okay. can you go here atthe student council room? i can't. why?

are you gonna look for that boy firstthan your job that pays you? i'm going home. i got lbm. there are a lot of crs here. my butt isn't used to them. hello, adrian, sorry about it. my friend is so pesky. he keeps on calling me. no problem.so i'll meet you after school. okay, see you. bye.

thank you lord. this is it. this is real. finally, somebody's gonna love me. i can finally be happy. hey; eva' i'm adrian. hey, adrian. i'm cross. are you really eya's partner? do you have doubts?

so then, who's her partner? not you. stop it. stop it. this is but my only chance tofeel happy and you want to ruin it. alright guys. i give up. i can? do this anymore. it's not me. ian made me do it. to make him feel jealous.

and to make him tell the truth. so just let me go, i won't bea big mh to the two of you. the voice is different. i got sore throat that night. i got colds. after it rained, remember? i can't explain but... why do you have this? what would you expect me?leave it lying around the house?

you read it? read the last page. i know what's written here. i'm the one who's writing here. read it. hey diary of the ugly e ya. it's morning and! can't sleep. co': eya's my partnerin the midnight party... i know she was the girl behind the mask.

my heartbeat went fast. this is weird but... why am i like this? maybe this started when wegot together in the hospital. or at the student council room. i always want to be with her. see her. talk to her. and as days go by,my feelings for he! get stronger.

i was able to tell herwhat i feel at the ball. she's not my type. she's not even pretty. but she makes my world beautiful. damn b... i like her. hey, ugly, speak up. listen. are you better offwriting your fantasies? or do you want to give a chance...

our true feelings. a... e... i... o... u... eya, will you be my girlfriend? life is like a book. or maybe a diary.

ifs in your handshow you want to end h.

the diary of a teenage girl film

hello schoolgirl is a simple,cute love story that centers around therelationships of four individuals, who seem to be separatedfrom one another by a certain difference in ageand on a social level. this film tells the storyof two students who meet in an introductoryarchitecture class and fall in love. fifteen years later, the girltracks down her first love to seek his help in buildingher dream house. this is a story of an ardent first loveand the friendship of 5 people.

led by the letter thatcomes from 23 years ago, the story takes place inone summer vacation in 1991, crossing the past and present. in this film a regular teenager anda pretty and popular girl start dating. their young love is theobject of much jealousy from all the other students, but for them, it just seemssplendid and eternal. that is until the boy finds out something tragic aboutthe girl he loves.

hot young bloods depicts theloves, rivalries, and friendships between four high schoolstudents in hongseong county, south chungcheong provincein the 1980s. in this film a teenage girltries to continue her normal social and school life, after her grandfather forcesher into an arranged marriage with a man in his twenties. in this film an arroganthigh school student who stands to inherita fortune when he is 18

suddenly discovers the clausein his grandfather's will that he must graduatefrom a small high school in rural kangwon province. he has no choicebut to transfer there. in this new school, he meets a girlwho changes his life forever. this film tells the story of a girl who moves to the countrysidewith her mother and sister. she has a lung ailment which is whytheir doctor recommended the move. soon after movinginto their new home,

the family discoversa wild boy living in the barn. wanting to help,the family takes him in and soon a relationshipbegins to form between the girl and the boy. "my sassy girl" tells the storyof an engineering student who meets a drunkengirl on a train. she is his type but she'salso repulsively drunk. because a fellow passengermisunderstands their relationship he winds up taking care of her.

and somehow he alsowinds up in jail with her. in this film, a young universitystudent finds a secret box filled with her mother'sletters and a diary. reading it, she learns of hermother's first love affair, a story which closely matches herown experience at the university.

teenage girls diary

a bullet journal is simply a customizable organization system on a notebook. you basically create your own planning layouts, and inserts, according to your needs. all you need is a bit of creativity and a notebook. bullet journaling was created be ryder carroll an art director and interaction designer

living in brooklyn, ny. you can find more about him in the link provided in the description box. you just need a notebook of your choice and a pen. classic bullet journals normally have a black, hard cover and have grid/squared or dotted paper. you can, however, chose any kind of paper you like. i recommend using a moleskine notebook because they are durable and are guaranteed to last for the entire year. traditional journaling takes more time

and is more complex altogether. bullet journaling is based on bullet form journaling. a simple language, easy to log and simple to keep track of. generally, a bullet journal starts with an index. this is one or two pages dedicated to organize the actual and future contents of your bullet journal so you can quickl reference back to them. of course, this means either numbering all of your pages,

or using a sort of color coding system to keep track of the contents of your bullet journal. since a bullet journal is a planning tool, you can create your spreads according to your level of planning detail. some people prefer daily spreads, others prefer weekly or monthly spreads. if you want, you can just throw all of these together in your journal for a more complete planning system or stick with just one of them.

after saving up some space to draft your log entries, you can start thinking about specific spreads. these are a group of pages entirely dedicated to organize one subject. you can create fitness spreads, where you keep track of your workouts, you can create tables to keep track of your expenses you can save a few pages to plan for social media and so on. it's up to you and the things you need to plan in your life. mark these, and add them to your index for quick referencing.

i still use the original bullet method and i think it's the simplest and the best. mainly, everything that you track in your bullet journal should be in bullet form. simple sentences that are straight to the point. this means that you can create task lists or event logs that have all the information you need before your eyes, without excessive wording or phrasing.

a task is represented by a "." when you finish that task, you simply transform you "." into a "x" if you don't think you'll be able to finish that task the day you've written it down, just use ">" to migrate that task for the following day. a date related event, like a birthday, is maked with an "o" notes are represented with a "--"

this is the basic system, but be free to use other symbols to keep track of your tasks your own way. if you're curious about the backstory of the bullet journal, visit the original website and explore the original concept and the basic rules of bullet journaling. if you aren't subscribed yet to my channel feel free to do so! i am going to upload a bullet journal setup very soon so you can see how i adapt the original method to my own liking.

thank you for watching! bye!

teenage girl diary

it's our secret okay? where do you want to go next baby? tahiti?

teenage girl diary entry

- galleycat?- gawker. - slut.- he's been out twice already. - thanks. jack bauman's office. oh, hi, morgan. yeah, i'm sure he did read them.um, i did. i thought it was amazing work. - so glad you could make it. if you've got a minute,let's go through my day.

- you know, i'm sure that hewould love to talk to you, uh, but he's in a meetingright now. - and don't forgetto change my shrink appointment. - got it. - oh, um, i need you to manageanother release for me. - there's nothingscheduled for months. - it's for the e-bookof "waking eyes." we're tying inthe new edition. - i thought that wascoming out next fall.

- a spot opened upon "charlie rose." we're moving it up. - oh. - i thought you'd bethe perfect person for the job. - what? - well, your fatheris milan's agent, right? - yeah, but--- they sent me the arcs. get a list from publicity.let's put our heads together. alice?

all right, look,i know it's not glamorous, but i'm puttingmy trust in you. "waking eyes" is the best selleron our backlist. all right, all right, look, what if--what ifi read that manuscript you've beenhounding me about, hmm? - you will?- yeah, what's the girl's name? - karen malone.- yeah, karen. - malone.- okay.

- it's the best thing thati've read since i've been here. - i said i'd read it. - okay, but we have to hurry because there might besome interest-- - yes, alan mitchell,please. he's busy?ah. well, fuck him. no, i don't wantto leave a message. - so you'll readthe manuscript this week? - yes.

- hey. you're doingthe "waking eyes" release? - did you knowthey were moving it up? - yeah. that's the bookthat made me love books. i totally identifiedwith her. didn't you? - well, these are friendsof my wife. - nice to meet you.

- they've justcome over from some... hey, sport. you having a good time? - sure.- say hi to everyone. - hi. - alice wrote a terrificshort story last week. she's gonna bethe real deal. oh, this is milan daneker. this is my daughter, alice.

- it's a pleasureto meet you. - milan is one of your mother'sundiscovered writers, but he's writtena book, a good book, and i'm goingto make sure it sells. - yes, please.- yes. - you got to meet annette... - all right.- "times book review." lay a littleof that foreign charm on her. - "she dodged the forced laughter

and the vapid conversations." "if she could just"-- - oh, sorry. i-i was just looking around,and, um... - it's okay. - can i? really? so how is it to grow uplike this? - uh...

it's a little lonely. - that's what i thought, yes. yeah. and you'rea writer too, yes? - um... i don't know. - i would liketo read your story. - it's nothing. - why don't youlet me decide?

well, i-i must-- okay. - "if she could just make herself small enough"... "completely unremarkable"... - hi. sorry. - here she is,late as usual. mwah. we were just discussingthis new film with, um... what's his name?

flavor of the month--you know who i mean. - oh, yeah, yeah.- yeah. have you seen it? - yeah, sadie and i went to seeit last weekend, actually. - mm-hmm. and? - we--we kind of enjoyed it. - i thoughtyou were smarter than that. did you know alicewon a scholastic writing award when she was 16?

- really?- we'd like to order now. what'll you have, sport? oh, get the beef cheeks. they're fabulous here. she'll have the beef cheeks.and you? - pasta puttanesca. - oh, i'll havethe puttanesca. you havethe grilled chicken. maya? - she'll havethe grilled cheese.

- no, no,a half order of calamari and some fries for her. yeah.make it a whole order. kids love fried stuff. here's to you, pal. - oh.what are we celebrating? - independent booksellerslove the book. word of mouth is fantastic.- thank you. - congratulations.- thank you very much.

- oh, i lovewatching you eat. - i know, i know.- you must. you invite him to dinnerevery night. - anna. - that looks great. - so here's to me. i discover talented writers,develop them for years, and then you steal themaway from me. - anna, you told me to geta new agent.

- we're getting some great pressin the trades. milan is making headwayon the next one, right? - mm.- right? - yes.- i'm talking to you. - you're drunk. - fuck you. - your command of the englishlanguage is astonishing. - i thinkyou said that already. - cursing was one of the firstwords i knew in english.

- really?who taught you? - the kid next door. - excuse me.i'm going to go freshen up. - delicious, huh?mmm. - delicious.- mmm, mmm. how's yours? - come over here. - hello.- hello. i'm here to see jack bauman.

- oh, yes. go right in.- okay, thank you. - oh, shit. - oh, my god, look at you. hey. - uh, what are youdoing here? - i just finished my first draftof my new book, so i'm here to deliver it. - what, are you kidding?we would've sent someone. - it's better in person,isn't it?

- congratulations. finally,something worth reading. - thank you.- come into my office. - it's been far too long. - hey, where'd you go?- i'm coming. i'm coming. - so is it done?- finally. - great. alice, where's my lunch? - oh, uh,chez louis, 1:00 p.m.

- if i'd knownyou were gonna drop by... - but maybe i could have lunchwith alice. - what?- to celebrate. - i--actually, i can't.i've got-- - you have to eat.- i really need-- - you could toss aroundsome marketing ideas. - i--you know what?um... - she'd love to. - please?

how are you? - good, good. good. so you're organizing the releaseof the new edition, yes? ironic, huh? - it's nice. tell me about your day. you know...school. how was yours?

- you know, writing. i'm glad you could meet me. thank you very much. when can i read your story? - it's, like, no big deal. they, um--they just printed it 'cause no onereally submits stuff, and, um... um, they'rekind of desperate.

- come on. this line here is exactlyhow it feels like the first time you see someonethat you maybe love. it's, uh... you're a writer. what about your writing? - i'm mostly not. - that's a shame.

- i read your new bio. it says thatyou're teaching a lot. - yes, i enjoy it. - i'm sure. - you were my firstand best student. - i got to go. - alice, i've missed you. - why don't you just say,"hey, about that little thing "that happened 15 years agothat you never owned up to

"or apologized forlike you should have, you motherfucker"--sorry, tyler. - okay, i should neverhave told you. look, it's not a big deal. - but he hurt you, ali. you don't do publicityfor someone who hurt you. - it's my job. - i thought your jobwas to help find and edit new and wonderful novels.

- tell that to jack.- why don't you? - will you help me? - besides the fact that i thinkit's a terrible idea, what could i do? - you're a successfulweb designer. - alice. - okay, fine. you'rea semi-successful web designer whose best friendthinks she's brilliant. - yeah, who gave upher not-so-stellar career

to be a mommy. - i need to build moreof a web presence for the book. - oh, that's a great idea. - sadie, please,don't make me do this alone. - you're a real shit,you know that? thank you. all right, i need to goand wrangle a radio spot. yay. - we didn't get to talk

about what you want to dofor your birthday. - hide in a closetuntil it's over. - you better havea big closet. - you promised. come here, buddy.give me a hug. i got to go. hugs. - alice, why are you always running off somewhereyou don't want to go? - oh, fuck off.

sorry, tyler. all right.- bye. call me later. - i will. - you want some? - hello? "it was a gracefulpas de deux, "a dance of hate. "he belittles her,two, three. she yells, two, three."

- hello? - it's me. this is the new story. so, uh, i'm not really sureabout the ending. it feels really forced, and to me, the dialogueis really bogus. - so... do you have a pen? - i can't watch.

- is that your homework? - uh, yeah. i have, like,100 pages of american history. - come over here, kiddo. come, let's read together. it's good.- you made notes all over it. - i wouldn't botherif it wasn't good. but it can be better. it's too abstract. it's, um...

so it only becomes real... if you give itconcrete details, concrete details. look, here. if you move that one... here we go. - okay, so who has materialto hand out for next class? - i need one morevolunteer. - i brought in some new pages.

- um, alice? - i had this reallyradical idea for this super weaponthe xorgots are gonna use to destroy planet earth.just wait till you-- - it doesn't haveto be complete. maybe we could giveyou some--some ideas or... - well,if she doesn't have anything-- - i'm sorry. - okay, josh,what are those aliens up to?

- oh, my-- look at that view. it's beautiful. come. so tell meabout your day. school. - school? - uh, it's the same every day--totally boring. - oh, not for me. you know,for me, it's like a movie--

cheerleaders, boysin team jackets, holding hands. - no.- no? - mm-mm. um, peopledon't hold hands anymore. they just hook up. - they hook up?- mm-hmm. - they hook up. - and, uh,no cheerleaders. no, wait.i guess we do have uniforms.

- uniforms?- mm-hmm. - yeah, yeah. - my best friend, ruby,just went goth. - she turned what?- goth. - goth?- mm-hmm. - goth?- uh-huh. well, what-- - you know, like, uh--like, uh, black eyeliner and ripped shirts.- oh, yeah?

- and, uh, her mom wouldfreak out if she knew, so, she, um--she hides her stuffin the hallway every day before she leaves.- uh-huh. - and, uh, um...- yeah? uh...- and, yeah? - you--you want to hearabout this? - oh, yeah, yeah. - um, well, she says her momhas no idea who she is anymore, but maybe she never did.

so thursday's a good dayfor you? - i guess so.- okay. see you next thursday, then. - i'm sorry, guys. i know you're wastingprecious babysitter time. i just want to eatin front of the tv and get sodden and pathetic. - it is your day.we will do whatever you want. - thank you.

together:surprise! - i knew you were gonnamake us bring you home. - thank you. aww.i'm going to kill you. - happy birthday. you're really going to enjoy itonce you get used to the idea. - come on.- come on, help her blow it out. - one, two, three. - ooh, a little bit more.oh, oh. yay. one more, one more.- last one.

- whoo! - what you writing? - my journal. - i want to know you. - i can't. - one page. - okay. my heart is pounding. i have to get up.

a kiss. a real one. - oh, sorry.- no, that's okay. i was just--i was reading. sorry. do you need--- no, no. i-i was just lookingfor a place to hide out. - my friend invited me. i don't even know the girlwho this is for. yeah?- yeah.

- well, happy birthday.- shh. i'm trying to pretendlike i don't have to grow up. - is there anythingi can do to help? - maybe. - looks good. - so what are you reading? oh. i love that character. the female holden caulfield.

- yeah,that's what they say. - not a favorite? - no. - so why are yousitting alone in a bathroomon your birthday reading it? work. - what do you do? - that is notan age-appropriate question. - you're right.i'm sorry.

- want some? - definitely. oh, emmett. what? - you were right.i did have a good time. i'm glad. - hey.- hey. - thanks for inviting me. - wait. you twoknow each other?

- uh, he was rob'sfreshman year roommate, but i actually met him first... freshman mixer. - oh, right. - you're kidding.- no. - okay. college, wow. let me help you up.- thank you. can i help with the cleanup? - no, no, no.

we got this.you've done enough. - you recycle? - uh, i plead the fifth. what about your mom? - she stayed home with us. do you have sponges? - uh, uh... sorry. - yeah, they've been married35 years,

sometimes happily,sometimes not. they're abnormally normal. - wow. you're, like, some kindof almost extinct species. they should breedyou in captivity. - so, aside from not beingenvironmental activists, what's your family like? not much like a family, i guess. - and?

- nuts. - oh, that explains it. thanks. - look,just so we're clear, i don't really do nuts. - i'll keep that in mind. how do you take your coffee? - black. - i'll call you later?

- so, while he was buildinga bionicle, i posted on new yorker books,paris review, galleycat. uh, what else?- how am i gonna thank you? - oh, i don't know.foot massage? not too high, ty. - so alice grew upand became a wife and motherjust like everybody else. isn't that sad? but it would make me sadderif she hadn't.

your face is chapped. when you're near 30,you have to moisturize. trust me. - kissing. - too much kissing. - never say thatto a married person. emmett.- yeah, i guessed. look at you.- what? - i'm so glad.

- it's terrifying.- and exhilarating. - mom?- what is it, baby? - jesus christ.- mom? - alice.- dad. - i forgot i need a jacketfor this thing tonight. here, this was in the middleof the living room. - it's not mine. - well, where the helldid it come from? god, it reeks.

- i think it's milan's. - milan's? - he was herethis afternoon. - did he bring bya new draft? - he, uh--he came to see me. - you? he's been helping mewith my writing. - what?wha-- since when?

- a while. - well... you couldn't havea better mentor. you're a lucky girl. - i expect great thingsof you. - good night. - okay, here. so this lady,she hasn't voted in 20 years. she starts reading our mostoutrageous quotes of the day,

sees her senator waxing poetic about the benefitsof hydrofracking. immediately promisesto volunteer for anyonewho will run against him. - wow.- and this guy--oh, my god. i love the waythey curse in the south. - you do realizeyou're a fanatic, don't you? - yeah, sorry.- mm. - you, uh--you want someof my pakora?

- yes, i want to tryyour pakoras. - i approved your entry,so you can post it anytime. i'm the last one here,so i'm gonna head out. see you tomorrow.- bye. - bye. thank you.- bye. - it's nice to knowsomebody who actually likeswhat they do. i always wanted to be a writerwhen i grew up. - are you?

- grown up? - no, writing. - how come? - i sit there waiting to hearthe characters speak, and instead,i have this voice in my head, saying, "this is shit.this is shit. this is shit." - come on, that voice? everybody hears that voice. it's the same voicethat says,

"i can't believe you just saidthat, you fucking moron." - you think? most people just ignore it. - really?i just... succumb. - yeah? i like a girlwho knows how to succumb. - really? - really.

- shit. - ah. well, good morning. this the new jacket copy?- yeah. - great.- i thought that you-- - can you get harold blakefor me? - did you get a chanceto read karen's manuscript? - uh-huh.not yet. the fisher book's exploding.

- but you will this week. - as soonas i get a free moment. now, milan did an interviewwith the press office. can you see if he said anythingwe haven't heard before? - this week? - i'm sorry?- this week. - oh, yes, of course. i really need to talkto harold. - harold's on line one.

"the only real ruleof good writing is generosity." - rule number one--generosity. you must be willingto share yourself. oh, i brought you a present.- you did? it's a birthday present. i wrote you a poem. - i didn't knowyou write poetry. - i don't,but you inspire me, so... - what do you think?

- uh, it's--it's--it's nice. - "nice"? - i have a--i havea precalc test tomorrow. jesus, i hate this stuff.- alice? - okay.i'm glad you liked the poem. - anything we can use? - nothing that wehaven't heard before. - damn. get me susanat simon & schuster.

- sorry. - so are you ever on time? - no.but, um... i got you these. - oh, wow.alfred marks began working at the white houseat the age of 28. good for alfred. louise van der zwan-- okay, stop.- all right, stop.

- is this what you doevery sunday morning? you just sit hereand envy other people's lives? - no, that is pretty mucha full-time occupation. - you knowit's pointless, right? - yes, i do. you can't write in front of me.- what? - no, i'm serious. if anyone'sgonna write in my apartment, it's going to be me. - but you don't.

- thank youfor pointing that out. - come on, it's notlike there's a finite number of words in the room, and if i use them all, there won't be enoughleft for you. - why does everything you sayhave to make so much sense? it's fucking infuriating. - okay, shut up now. - seeinganyone special, sport?

- not really. - you know,having children is the most satisfying thinglife has to offer. - how's the writing going? - oh, you know... there is a book that i readthat i thought was terrific. - yeah?- yeah, i'm trying to get jack to read it. - um, well, i thought thatmaybe you would have a look.

maybe you'd wantto meet with the writer. - jack hasn't read it? - don't worry about that.i'll get him to read it. i just--i just thoughtyou might want to meet with her. her name's karen malone.she, um--she did "iowa." she has this amazingshort story. - no, no.i'm going to call him up. - no, dad. please don't.that's not what i meant. - well, i can fix it,sport.

- dad, dad,i'll get him to read it. i just wanted your opinion. - dad, i mean it.don't call him. - okay, honey,i won't call him. hey, tiger. are you having fun?huh? - great work. um, alice,can you hang out a minute? look, do you want meto refund your tuition?

- it's pastthe official deadline, but i could ask themto make an exception. - it's notthat i'm not trying. - why don't you sign up againwhen you feel like you're ready? yeah, i know he's doing a lotof press right now, but it would be greatif he could squeeze in the "waking eyes"re-release party. okay, no, i don't haveany confirmations yet, but... i can hold.

- is thisjack bauman's office? - yeah,is he expecting you? - karen malone. - karen, hi. i'm alice.- nice to meet you. it's really niceto meet you too. - so could you tell himi'm here? - hey, karen,come on in. - hi.- jack bauman.

- so nice to meet you.- pleasure to meet you. - alice. hi.- dad? - am i late? see, sport,i told you i'd fix it, huh? can i take you to lunchwhen we're through here? - ben, good to see you.- hey. - hi.- karen. - how are you?- all right. - hi.- hi.

- uh, keith. i'm watching tyler. - oh, okay. - we were at the park all day.he's taking a nap. - um, i'm alice.- yeah, um, hi. - sadie's at, uh,prenatal yoga. um, she'll be back in,like, an hour and a half. - maybe you could just tell herthat i came by. she could call me.- yeah, sure.

you know what? actually, maybei'll just check on tyler, if that's okay.- yeah, sure. come on in. - he's such a great kid.- yeah. i--we read this in my, uh,modern lit class last year. - oh? - i didn't finish it. - well, you can have that copyif you want. - it's kind of dated. - keith?

what the fuck are you doing? - uh, what are youdoing home? - i decided to skipdeep relaxation. is there someone in there? - keith,get out of here. um...you owe me 40. - now.- okay. - what the hellare you doing? - i don't know.

- he's a kid.- i know. - if tyler had woken up,oh, my god, he would've been so confused.- i know. - what about emmett?- i know, i know. - hey, honey.- mama? - yeah, baby? - aunt alice! - aunt alicehas to leave now. - still waitingon that updated guest list.

- i'm working on it. you could have told me that youread it, that you liked it. - that we're publishing it. - you are? - i thought daddywould've spread the word. - well, who are youassigning it to? - i'm editing it myself. - it's notyour kind of book. - eh.

- i found her. i-- - alice, that's your job. you cull the good stuff.i decide if it's good enough. - yeah, but listen,i have some great ideas-- - shh. now, listen, there's noway i'm going to let an inexperienced editor workwith an inexperienced writer. - i've worked herefor two years. - and how many bookshave you edited? - my point exactly.

- i will cc you in my notes. you can come to me withyour thoughts anytime you like. now, listen, milan is expectingyou at the taping tomorrow. the new novelis almost unreadable. make sure he sticksto "waking eyes," okay? you're the best. - so 15 years.- mm-hmm. - you've written seven novelssince "waking eyes," and none has becomethe kind of cultural icon.

- no, unfortunately not. - what do you think makes it so perennially popular? what i think it is, is thateveryone has been a teenager, and... we all know how out of kilterit makes you. - all right.is it-- okay, so are you gonnatell me the secret now? - all right, i thinki'm gonna actually tell you.

come here for a second. no one can hear this,actually. mm. - i have to go. - so go. - it's not important. - so the questioni have to ask... - which i probably have answeredmany times before, so go ahead. - possibly.

how does a man in his 40s perfectly capturethe essence of a teenage girl? this opening paragraphis self-indulgent. 95% of writing is rewriting. you know that. and here, here'sanother dangling preposition. the way you manglethe english language is-- look at this.i'm the immigrant here.

- i was hanging outwith my friend. i forgot. i'm sorry. i do this because i believein your talent. - i know. - come here. i do thisbecause i love you. - i know.- yeah. - i met a boy. - oh, i'm happy.

so glad. i want you to be happy. what can i doto make you happy? we all like a mystery, but there'sno mystery girl in it. it's all fiction, at that time,i did walk around in the city and listen in on subways,coffee shops... - mm-hmm.- streets, you know,

and i still do,now and then, listen in to seeif girls have changed. you know?- hmm. and have they? - some things never change. - special delivery. - what the hellare you doing here? no, no,you need to go. i have somebody coming here.- another time? - no, no.

- why? - look, i just turned 29.- really? - and i guess itmessed with my head. shit. - hey.- hi. - this is keith. - uh, he'ssadie's babysitter. - you her husband?- yeah. - keith was just leaving.

- yeah, um... sorry, man. - i got us some wine. - alice? - i went to sadie's the otherday, and i forgot that. - well, i told himthat he could borrow it. - before or afteryou forgot it? - emmett. - did you...?

fuck. - emmett, can--can we just talk about it? please, it was the daythat i found out about the manuscript. i was really upset. i am never gonnato see this guy again. emmett. listen, let's justtalk about it. emmett. - i will not let you make meas crazy as you are.

- dad?- hey, champ, come. come and meet alana. - you must be alice.- hi. - sit, sit, sit, sit. alana isa fantastic conductor. women are really cominginto their own in that field. - what about maya, dad? - i'm gonna see her.yeah. helene just needs a little timeto cool down.

- oh, dad. - hey, hey. you know how it is,right? - sorry. i just, uh... suddenly startedto just feel-- - alice?- excuse me. - what are you doing here? - i brought food. - you know how precious sleepis to me.

- i need to talk.sadie-- - emmett is my friend,and keith is our neighbors' kid. - look, i'm sorry.- good. - i brought dulce de leche. - you know i love youmore than almost anyone, except tyler and roband my mother...sometimes. but i'm startingnot to like you very much... and i'd neverforgive you for that. i need to not see youfor a while.

what about the book? - screw you, alice. - you know what?i-- can we just--can we just not? - i'm really tired. - no, i don't--i don't think so. - we did things.- "things"? - things. - you hooked up.

- was it wonderful? it should be wonderful.was it? - mm... - please,tell me about it-- come on,how it was like. did he make you come? i want to make you come. i want to be first personto make you come. come here.

look at me. don't close your eyes. open your eyes. that's not the waywe do it. - look at me. it's just something that i do,that i've always done. i see that lookin a guy's eyes, like he wants me. it's the only thingthat makes me feel real.

- i want you. - so? - so it wears off. like... i start wondering,"what's wrong with this guy? why can't he do better?" - that is unbearably sad. - but i probably can. give me a hug.

- i got a hose.- cool. - it's an ambush. - where's my hat?i need to be protected. - here you go. - i can't not be your friendfor one more day. - with friends like you... honey, be careful. - i figure if even youcan't put up with me, i'm gonna have to dosomething about it.

- yeah, you better. - aunt alice,emergency, emergency! you're on fire!- i am? - say "help"! - help. um, hi.my name is alice harvey. i am a volunteerfor people for the people, and i'm calling you because... this is suchan important election,

and it's so importantthat you-- hello? - hey, you made it. - of course. - come on in. hi, nice to meet you. - hi.- thanks for coming. everyone, listen up. let's takea little five-minute break.

put your phones down. this is emmett grant, who foundedpeople for the people. he is the guythat got us all here tonight. whoo-hoo! - i didn't get you here.you got yourselves here. everybody take a lookaround the room. i forgot to thank our hostessfor this evening. did you look around?

it's a roomfull of people, right? see, we reached out to you. tonight you're here. you're reaching outto others, and then with any luck, those others aregonna reach out on election dayand fill in the right bubbles, and maybe together, we can changethe political landscape.

if not... we can because it'sthe reaching out that matters. it's the reaching out thatscares the shit out of them, even when our guys don't win. so please, please, just keep reaching out. thank you.- whoo-hoo. - yeah!- awesome. that was a really nice speech.

- i should have known.- listen, i love you both. - you've gotabout five minutes. - how could you use this eventfor personal reasons? - that's not fair. i wanted to help you. i knowhow important this is to you. - keep calling. - emmett-- - no, actionshave consequences, alice. - hey, we got to move on.

- i'm reaching out. - please, please, please, just keep reaching out. - what would you like,sport? - i'd like to startwith the arugula salad, please. - you know, the duckis fabulous here. you should try it.- and i'd like the filet. - why don't you bring herthe duck? milan... you want to tell them?

- it's all your doing. - bullshit. bookseller preorders for"waking eyes," unbelievable. we may have a best selleron our hands. - oh.- you're a genius, pal. - hayworth'smarketing department is. - okay,so we're all geniuses. - please pass the rolls. - sylvio is good,

but not if he doesn't havesomething great to sell. - could you passthe rolls, please? - would you just stopkissing each others' asses and enjoy the moment? - do you have to beso crude? - do you have to beso smug? - i'm happy. not that you'd have any ideawhat that feels like. - mm-hmm.i wonder why.

- actually, i'd liketo stick to the filet. - okay, sport. and duck for meand a side of spinach. so can anybody explain to methe appeal of that--that--that guyin that movie. oh, jeez, you know the one,the one that won best picture. - i can messenger a copyover today. yes, i will hold. hi.um, one second.

uh, yeah,i'll send it right over. okay, great.thanks. - my agent saidthat you gave him my book. - shit! - i'm not surei did you any favors. - i was actually working onsomething new before all this, and, um, i would loveif you could take a look. - it's my first chapter. - i-i'd love to.um...

- great.- thank you. - look into the camera. wave to the camera. - yes, greenstreetis coming. terrific.how many guests will that be? okay, great. - he's just finishing up a call.he should be right out. - could i take you to lunch? - sorry to make you wait.hot off the presses.

one for you.one for you. it's got the new dedication. - oh, that's great.- nice, huh? come in, come in. - "still she haunts me phantomwise, "alice moving under skies, never seen by waking eyes." - milan daneker-- he'll be readingfrom his new novel,

"waking eyes." mr. daneker. - thank you, martin.- mm-hmm. yes. "she was slouchingunder the weight "of a too-big book bag, "cracking her gum fiercely "like a line of defense. "but her eyes cried out,

'love me.oh, please, love me.'" "'a little lonely,'she said. "'my mom has no ideawho i am anymore, "but maybe she never did.' "she swayedwith a graceful pas de deux, "the dance of hate. "she was small enough. "she was invisible to themand always would be. "her eyes openedwider and wider

"as she came, brimming with surprise"... "pleasure,and ineffable sadness." alice, what is it? - i have to tellyou something. - fantastic night. - yeah, yeah.- you're a natural. - no, i was terrified.- you were great. wasn't he great?- mm-hmm.

yes,it went very well. - i can't believethat woman from the new york reviewof books was there. - she was interesting. - she was eatingout of your hand. - ben. - alice, um... your mothertold me what you said. - i had to.

- yes, i told himit wasn't true. - it isn't true?- it's what he said. i asked him.he said it's understandable. like i told him, you maybemisinterpreted it somehow. - is that what it is,alice? - i think it'swhat you wish were true. - alice?- stop the car. - it's perfectly naturalto have feelings for someone that you look up to.- i'm flattered.

- i really--i don't knowwhat to think anymore. - he said he may have useddetails from your life... - writers are magpies. - to make the charactermore real. - please stop the car! alice! what are you doing here? are you okay? are you all right?

oh, please, please. it's, um--- is this the new book? - whose life didyou appropriate this time? - no one. uh, well, there's bitsand pieces here and there. you know what i mean?yeah. - it was sucha long time ago. what...- alice. was such a long time ago?

concrete details. you must give me concretedetails to make it real. - i know at that age,little things seem enormous. - your warm... heavy arms around me... the smoky tasteof your tongue in my mouth. - i was helping you. - the feel of your hard-onagainst my thigh. - but nothing really happened.- yes, it did!

- yes, well, you seemedto enjoy it at the time. - you were oneof the few people who ever... actually seemed to see me... to make me feel realand important. - but you are.- you used me. - oh, come on.- you abandoned me. - alice--- you made me feel like i was nothingall over again. - not nothing.it's...

it's a beautiful character. and i've been livingin her shadow for 15 years. good-bye, milan. - hey, emmett. - what?did jeff screw up again? - no, i just gota google alert. - reaching out scares the shit out of them, even when our guys don't win. so please, please, please, just keep reaching out.

- because i love you. - gentlemen.how are we? where's alice? - i haven't seen her yet.sadie? where the hell is alice? - she had something betterto do. - what?- wait. who are you? - her best friend. are you ready to read,mr. daneker?

- i am. - walk this way. - some old lady with a slight beardlet me in. - mrs. rayburn. emmett... i'm sorry that i hurt you. - i might not be readyto take on the world, but i think...

that i can remember... to thinkabout one other person. - i'd like that to be you. - i'll think about it. - 100 was really good. - you're the girlin the book, aren't you? not anymore.

secret diary of a teenage girl

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